• <i>Leading Figures of the Modern Stage in Their Famous Roles</i>, No. 11: Hanayagi Shōtarō (花柳章太郎) as Taki no Shiraito (瀧の白糸) or <i>The Waterfall's White Thread</i>
  • Kong Liang, the Flaming Star (Dokukasei Kōryō - 獨火星孔亮) and Song Wan, the Guardian God in the Clouds (Unrikongō Sōman - 雲里金剛宋萬), from <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)
  • Sawamura Tanosuke III (沢村田之助) as  Shiranui Tarō (しらぬひ太郎), number two from an untitled set of ten prints of <i>otokodate</i>
  • Eizō and Matsuomaru
  • Shi Jin, the Nine Dragons (Kyūmonryū Shishin - 九紋龍支) struggling with the robber Chōkanko Chintatsu from the series <i>Mirror of Heroes of the Shuihuzhuan</i> (<i>Suikoden gōketsu kagami</i> - 水滸傳豪傑鏡)
  • Iwai Hanshirō V (岩井半四郎) in the role of an onnagata in the snow - the left-hand panel of a triptych of a winter scene at Terashima - probably a mitate
  • Yan Qing the Graceful (Rōshi Ensei - 浪子燕青) from the series <i>Mirror of Heroes of the Shuihuzhuan</i> (<i>Suikoden gōketsu kagami</i> - 水滸傳豪傑鏡)
  • View of Fukuroi (<i>Fukuroi no zu</i>: 袋井之図) from the series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
  • Nakamura Utaemon III (中村歌右衛門) as Kumagai Jirō Naozane (熊谷次郎) from the series of <i>Issei ichidai</i> (一世一代) prints
  • No. 2, Gaman Sonja (我慢損者 - The Impatient Loser) from the series <i>Sixteen Wonderful Considerations of Profit</i> (<i>Myō densu jūroku rikan</i> - 十六利勘 我慢損者)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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