• Volume 3 of <i>The Picture Book of the Journey to the West</i> (<i>Ehon Saiyū zenden</i> - 画本西遊全伝)
  • <i>Three-stringed Shamisen</i> (三すじ) from the series Modern Fashions (<i>Imasugata</i> - いま姿)
  • Volume from <i>Picture Book of the Taiko-ki</i> (<i>Ehon Taikō-ki</i> 絵本太閤記)
  • Ichikawa Ebijūrō I (市川鰕十郎) as Ukisu no Iwamatsu (うきすの岩松) on the right, Arashi Kitsusaburō II (嵐吉三郎) as the farmer Jūsaku (百姓十作) in the center,  Sawamura Kunitarō II (沢村國太郎) as Jūsaku's wife [<i>nyōbō</i>] Okinu (十作女房お絹) on the left in <i>Keisei kakehashi monogatari</i> (けいせい棧物語)
  • Double portrait of Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuōmaru (舎人松王丸) on the right and Ichikawa Gangyoku I (市川眼玉) as Shundō Genba (春藤玄蕃) on the left from an untitled series of paired actors on poem slips (<i>tanzaku</i>)
  • Tawara Tōta Hidesato [田原藤太秀郷] and Otohime from the series <i>Twenty-Four Generals for the Katsushika Circle</i> (<i>Katsushika nijūshishō</i> - 葛飾廿四将)
  • Hokushu ca 1825<br /> 
Wasa Daihachirō firing arrows<br /> 
at San-ju-san Gendō in 1686
  • Onoe Matsusuke I (尾上松助) as the ghost of the wet-nurse Iohata (‘Iohata bokon’) in the play <i>Tenjiku Tokubei ikoku banashi</i> (天竺徳兵衛韓噺)
  • Kohina (小雛) of the Ōmiya (あみや) from the series <i>Votive Hand Towels</i> (<i>Hōnō tenugui</i> - 奉納手拭)
  • Lady-in-waiting Ben no Naishi (辨の内侍) from the series <i>Mirror of Famous Women from Ancient and Modern Times</i> (Kokon meifu kagami - 古今名婦鏡)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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