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Front and back covers
1860c Kunisada ehon C12
Ehon chapter 12 - from Yūsenkutsu harusame soshi [遊仙沓春雨草紙] by Ryokutei Senryu (緑亭川柳)
Triptych of the Great Summer Fireworks at Ryōgoku Bridge (<i>Ryōgoku nōryō ōhanabi</i>: 両国納涼大花火)
1853c Hiroshige fireworks
Triptych of the Great Summer Fireworks at Ryōgoku Bridge (Ryōgoku nōryō ōhanabi: 両国納涼大花火)
Dietary Life Rules (<i>Inshoku yōjō kagami</i> - 飲食養生鑑)
1850s nutrition
Dietary Life Rules (Inshoku yōjō kagami - 飲食養生鑑)
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych
1850s Kuniyoshi dog fight
Hōjō Takatoki watching a dog fight (北條高時犬合戦之圖) - attributed to Kuniyoshi - right-hand panel of a diptych
Tiny <i>ōkubi-e</i>
1850s Kunisada tiny okubi-e
Tiny ōkubi-e
Tadanobu performing the fox-dance to the beat of the <i>kotsuzumi</i> or hand drum made from the skins of his parents
1850s Kunisada fix drum.jpg
Tadanobu performing the fox-dance to the beat of the kotsuzumi or hand drum made from the skins of his parents
A woman cleaning up while a cat gnaws on the carcass of a fish left over from dinner
1850s Kunisada cat fish.jpg
A woman cleaning up while a cat gnaws on the carcass of a fish left over from dinner
Triptych of three <i>bijin</i> and children gathering outdoors at dusk in the summertime
1850c Kuniyoshi silhouette
Triptych of three bijin and children gathering outdoors at dusk in the summertime
Tametomo's wife Shiranui (為朝の妻白縫姫) from the series <i>Ten Admirable Deeds of Tametomo</i> (<i>Tametomo homare no jikketsu</i> - 為朝誉十傑)
1850c Kuniyoshi shiranui
Tametomo's wife Shiranui (為朝の妻白縫姫) from the series Ten Admirable Deeds of Tametomo (Tametomo homare no jikketsu - 為朝誉十傑)
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a <i>shikake-e</i> or 'mechanical print'
1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'
<i>Favorite Customs of the Present Day</i> [<i>Tōsei fūzoku kō</i> - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel
1850c Kuniyoshi Aizuri-e.jpeg
Favorite Customs of the Present Day [Tōsei fūzoku kō - 当盛風俗好] - left-hand panel of a triptych - the title is on the right-hand panel
Actor portrait - possibly Mimasu Daigorō IV
1850c Hirosada p1027A
Actor portrait - possibly Mimasu Daigorō IV
Takechi Mitsuhide [武智光秀} - left-hand panel of a diptych illustrating the <i>Taikōki</i>
1850c Hirosada p875.jpg
Takechi Mitsuhide [武智光秀} - left-hand panel of a diptych illustrating the Taikōki
Key block or <i>tameshizuri-e</i> bust portrait of an actor, [Jitsukawa Enzaburō I?] as Sasahara Hayato (笹原隼人) from the series <i>Kokin Yujinki</i> (古今勇人記) or <i>Record of Heroes Past and Present</i>
1850c Hirosada Keyblock Bust P
Key block or tameshizuri-e bust portrait of an actor, [Jitsukawa Enzaburō I?] as Sasahara Hayato (笹原隼人) from the series Kokin Yujinki (古今勇人記) or Record of Heroes Past and Present
Nakamura Utaemon IV [中村歌右衛門] as Ishidome Busuke (石留武助) from the play <i>Keisei Homare no sukedachi</i> or <i>A Courtesan: Honor with Two Swords</i> [けいせい誉両刀]
1850c Hirosada Actor print p51
Nakamura Utaemon IV [中村歌右衛門] as Ishidome Busuke (石留武助) from the play Keisei Homare no sukedachi or A Courtesan: Honor with Two Swords [けいせい誉両刀]
Nakamura Utaemon IV as the hunter Fukashichi (ふか七) - right panel of a pair from the play from the play <i>Imoseyama Onna Teikin</i> [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]
1850c Hirosada Actor Portrait
Nakamura Utaemon IV as the hunter Fukashichi (ふか七) - right panel of a pair from the play from the play Imoseyama Onna Teikin [妹背山婦女庭訓 - Mount Imo and Mount Se: An Exemplary Tale of Womanly]
Death of Buddha - the <i>'Nehanzō</i> [涅槃像]
1850ca Yoshitora nirvana
Death of Buddha - the 'Nehanzō [涅槃像]
Shunga blue background
1850ca Kunisada shunga blue back
Shunga blue background
Shunga - black background
1850ca Kunisada shunga black back
Shunga - black background
Shunga of woman stroking a man's penis
1850ca Kunisada shunga
Shunga of woman stroking a man's penis
Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play <i>Ichinotani Futaba Gunki</i>
1850 Kuniyoshi kumagai
Ichikawa Ebizō V as the Buddhist priest Kumagai Renshō Hōshi [熊谷連生法師] standing before an archery bullseye target from the play Ichinotani Futaba Gunki
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in <i>Ayatsuri Sanbasō</i> [あやつり三番叟]
1850 Kuniyoshi double bust
Onoe Kikujirō II as Senzai (千歳) in the female role and Nakamura Utaemon IV as Sambasō ( 三番叟) in Ayatsuri Sanbasō [あやつり三番叟]
The Marvelous Doctor Treats Serious Diseases (<i>Kitai na meii nanbyō ryōji</i> - 難病療治 - きたいなめい医)
1850 Kuniyoshi doctors
The Marvelous Doctor Treats Serious Diseases (Kitai na meii nanbyō ryōji - 難病療治 - きたいなめい医)
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or <i>Agemaki of the Three Shores House</i> (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play <i>Sukeroku kuruwa no hanami doki</i> [助六廓の花見時]
1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]
Morita Kan'ya XI as Shihei-Kō (時平公) with Arashi Rikaku II as Matsuomaru (松王丸) on the right and Seki Sanjurō III as Umeōmaru (梅王丸) with Onoe Kikujirō II as Sakuramaru (桜丸) on the left in the <i>Kuruma biki</i> or 'Pulling the carriage apart' scene
1850 Kunisada actor diptych
Morita Kan'ya XI as Shihei-Kō (時平公) with Arashi Rikaku II as Matsuomaru (松王丸) on the right and Seki Sanjurō III as Umeōmaru (梅王丸) with Onoe Kikujirō II as Sakuramaru (桜丸) on the left in the Kuruma biki or 'Pulling the carriage apart' scene
Nakamura Utaemon IV (中村歌右衛門) as Danshichi Kurobei (団七九郎兵衛) - left panel of a diptych
1850 Hirosada danshichi kurobe
Nakamura Utaemon IV (中村歌右衛門) as Danshichi Kurobei (団七九郎兵衛) - left panel of a diptych
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) - left panel of a diptych
1850 Hirosada danshichi
Nakamura Utaemon IV as Danshichi Kurobei (団七九郎兵衛) - left panel of a diptych
Triptych of Mitsuuji with two <i>bijin</i> near cherry blossoms - a Rustic Genji theme - possible titile: <i>Hanasakari</i> or 'Cherry blossoms at their best at Ueno' (花さか里)
1849ca Kunisada album trip 14
Triptych of Mitsuuji with two bijin near cherry blossoms - a Rustic Genji theme - possible titile: Hanasakari or 'Cherry blossoms at their best at Ueno' (花さか里)
Night scene with Chūbei (忠兵衛), Umekawa (梅川) and Magoemon (孫右衛門)
1849-53ca Kunisada album a
Night scene with Chūbei (忠兵衛), Umekawa (梅川) and Magoemon (孫右衛門)
Kanadehon Seichū Sugoroku （仮名手本誠忠壽古六）- game based on the story of the Forty-Seven Ronin (仮名手本忠臣蔵 <i>Kanahedon Chūshingura</i> - 'Copybook of the Treasury of Loyal Retainers')
1849-53 Kuniteru sugoroku chus
Kanadehon Seichū Sugoroku （仮名手本誠忠壽古六）- game based on the story of the Forty-Seven Ronin (仮名手本忠臣蔵 Kanahedon Chūshingura - 'Copybook of the Treasury of Loyal Retainers')
Sumō wrestler Unryū (雲龍) from the series <i>Sumō hanei tamari iri no zu</i> (相撲繁栄溜り入の図) or 'Pictures of Famous Sumō Wrestlers Waiting for Their Match'
1849-53 Kunisada unryu
Sumō wrestler Unryū (雲龍) from the series Sumō hanei tamari iri no zu (相撲繁栄溜り入の図) or 'Pictures of Famous Sumō Wrestlers Waiting for Their Match'
Iwai Kumesaburō III as Shirai Gonpachi (白井権八郎) on the right; Ichikawa Danjūrō VIII as Nippondaemon (日本駄右衛門) in the middle; and Seki Sanjūrō III as Banzui Chōbei (幡ずゐ長兵衛) on the left
1849-52 Kunisada kumesaburo
Iwai Kumesaburō III as Shirai Gonpachi (白井権八郎) on the right; Ichikawa Danjūrō VIII as Nippondaemon (日本駄右衛門) in the middle; and Seki Sanjūrō III as Banzui Chōbei (幡ずゐ長兵衛) on the left
The Second Month (<i>Kisaragi</i> - 如月) - from the series <i>Wakamurasaki nenju gyoji no uchi</i> (若紫年中行事之内) <i>Events through the Year of Young Murasaki</i> - a Rustic Genji theme
1849-50ca Kunisada album trip
The Second Month (Kisaragi - 如月) - from the series Wakamurasaki nenju gyoji no uchi (若紫年中行事之内) Events through the Year of Young Murasaki - a Rustic Genji theme
Bandō Shūka I (坂東しうか) as Seigen ama (清玄尼) and Nakayama Bungorō II (中山文五郎) as the yakko Yodohira (奴淀平) from an untitled series of paired actors on poem slips (<i>tanzaku</i>)
1848c Kunisada tanzaku 3
Bandō Shūka I (坂東しうか) as Seigen ama (清玄尼) and Nakayama Bungorō II (中山文五郎) as the yakko Yodohira (奴淀平) from an untitled series of paired actors on poem slips (tanzaku)
Two actors from an untitled series of paired actors on poem slips (<i>tanzaku</i>)
1848c Kunisada tanzaku 2
Two actors from an untitled series of paired actors on poem slips (tanzaku)
Double portrait of Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuōmaru (舎人松王丸) on the right and Ichikawa Gangyoku I (市川眼玉) as Shundō Genba (春藤玄蕃) on the left from an untitled series of paired actors on poem slips (<i>tanzaku</i>)
1848c Kunisada tanzaku 1
Double portrait of Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuōmaru (舎人松王丸) on the right and Ichikawa Gangyoku I (市川眼玉) as Shundō Genba (春藤玄蕃) on the left from an untitled series of paired actors on poem slips (tanzaku)
Ichikawa Danjūrō VIII (市川団十郎) as Nozarashi Gosuke (野晒語輔) from the series of 10 prints <i>Eiyu mitate junin otoko</i> (栄優見立十人男: Parody of Actors as Ten Brave Men)
1848ca Kunisada nozarashi
Ichikawa Danjūrō VIII (市川団十郎) as Nozarashi Gosuke (野晒語輔) from the series of 10 prints Eiyu mitate junin otoko (栄優見立十人男: Parody of Actors as Ten Brave Men)
Inauye Daikurō Masatada (稲上大九郎正忠) from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyūden</i> - 太平記英勇傳)
1848-49c Kuniyoshi masatada
Inauye Daikurō Masatada (稲上大九郎正忠) from the series Heroes of the Great Peace (Taiheiki eiyūden - 太平記英勇傳)
Fukishima Masamori (吹嶋政守) from the series <i>Heroes of the Great Peace</i> (<i>Taiheiki eiyuden</i> - 太平記英勇傳)
1848-49c Kuniyoshi masamori
Fukishima Masamori (吹嶋政守) from the series Heroes of the Great Peace (Taiheiki eiyuden - 太平記英勇傳)
Fujiwara no Masakiyo (藤原正清) from the series <i>Taiheiki eiyuden</i> (<i>Heroes of the Great Peace</i> - 太平記英勇傳)
1848-49c Kuniyoshi masakiyo
Fujiwara no Masakiyo (藤原正清) from the series Taiheiki eiyuden (Heroes of the Great Peace - 太平記英勇傳)
The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (<i>Mu Tamagawa</i> - 六玉川) 　
1847 Kuniyoshi beating cloth
The Cloth-fulling Jewel River in Settsu Province (Settsu no kuni Tōi no Tamagawa - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (Mu Tamagawa - 六玉川) 　
Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series <i>Meiga rokumai byobu</i> (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych
1847-1852 Kuniyoshi blind
Blind Men and Elephant 盲人と象、達磨 (above); Ichikawa Ebizō V 五代目市川海老蔵 as Daruma (below) from the series Meiga rokumai byobu (Screen with the six branches of famous painting - 名画六枚屏風) - center panel of a triptych
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of <i>The Five Festivals - Mutsuki</i> (五節句之内睦月)
1847-52c Kuniyoshi daruma kite
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of The Five Festivals - Mutsuki (五節句之内睦月)
Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych
1847-52 Yoshimune kawanakajima
Nichirai Shōnin [日来上人] at the Battle of Kawanakajima [川中島合戦の日来上人] - middle panel of a triptych
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left
1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left
Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) from the play <i>Kakitsubata Tamuke no Hanakawado</i> (杜若手向花川戸) - a <i>mitate</i>
1847-52 Kuniyoshi koshiro v
Matsumoto Koshirō V (松本幸四郎) as Banzui Chōbei (ばんずい長兵衛) from the play Kakitsubata Tamuke no Hanakawado (杜若手向花川戸) - a mitate
Ken game of Three Countries - <i>Sangoku ken</i> (三国拳)
1847-52 Kuniyoshi hand play
Ken game of Three Countries - Sangoku ken (三国拳)
<i>View of Enoshima and Fuji from Shichirigahama</i> (<i>Shichiri gahama yori Enoshima no tokei</i> - 七里ヶ浜より江の島乃遠景) - center panel of a triptych
1847-52 Kuniyoshi enoshima
View of Enoshima and Fuji from Shichirigahama (Shichiri gahama yori Enoshima no tokei - 七里ヶ浜より江の島乃遠景) - center panel of a triptych
Imaginary performance (a <i>mitate</i>): actors as Sadatō's wife (<i>tsuma</i>) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant
1847-52 Kunisada actors animal
Imaginary performance (a mitate): actors as Sadatō's wife (tsuma) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant
<i>Attack of the Taira Ghosts at Daimotsu Bay</i> (<i>Sesshū Daimotsu no ura Heike onryō arawaruru zu</i> - 摂州大物浦平家怨霊顕る図)
1847-52 Hokui Heike
Attack of the Taira Ghosts at Daimotsu Bay (Sesshū Daimotsu no ura Heike onryō arawaruru zu - 摂州大物浦平家怨霊顕る図)
Mitsuuji and his 2nd daughter under a cherry tree at night - a Rustic Genji theme [<i>Nise Murasaki inaka Genji</i> - 偐紫田舎源氏]
1847-50ca Kunisada album trip
Mitsuuji and his 2nd daughter under a cherry tree at night - a Rustic Genji theme [Nise Murasaki inaka Genji - 偐紫田舎源氏]
Yamauba (山姥) on the left, Kaidōmaru (怪童丸) in the center, and Mita no shi (三田仕) on the right - with acrobatic men dressed as animals - possibly from a <i>shosagoto</i> [所作事] performance
1847-50 Kunisada kaidomaru ani
Yamauba (山姥) on the left, Kaidōmaru (怪童丸) in the center, and Mita no shi (三田仕) on the right - with acrobatic men dressed as animals - possibly from a shosagoto [所作事] performance
No. 29 (廿九 - nijūkyū) - Hamamatsu (浜松) from the Tōkaidō (東海道) series - The Fifty-three Stations (<i>Gojūsan tsugi no uchi</i> - 五十三次之内)
1847-50 Hiroshige Smoke
No. 29 (廿九 - nijūkyū) - Hamamatsu (浜松) from the Tōkaidō (東海道) series - The Fifty-three Stations (Gojūsan tsugi no uchi - 五十三次之内)
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play <i>Hana no yuki Takeda no kachidoki</i> (花眺雪武田勝凱)
1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)
Two book covers, <i>ebyōshi</i> (絵表紙) forming a diptych of <i>The Heroic Tales of Jiraiya</i> (<i>Jiraiya Gōketsu Monogatari</i> - 児雷也豪傑物語), Chapter 36
1845c Kuniyoshi Kunisada ehon
Two book covers, ebyōshi (絵表紙) forming a diptych of The Heroic Tales of Jiraiya (Jiraiya Gōketsu Monogatari - 児雷也豪傑物語), Chapter 36
The Stone-faced General Sekishōgun Sekiyū (石將軍石勇) from the series <i>108 Heroes of the Popular Suikoden</i> (<i>Tzuzoku Suikoden goketsu hyakuhachinin no uchi</i> - 通俗水滸傳濠傑百八人之内)
1845-53 Kuniyoshi sekishogun
The Stone-faced General Sekishōgun Sekiyū (石將軍石勇) from the series 108 Heroes of the Popular Suikoden (Tzuzoku Suikoden goketsu hyakuhachinin no uchi - 通俗水滸傳濠傑百八人之内)
An amorous couple from volume one of the <i>Edo nishiki Azuma Bunko</i> (江戸錦吾妻文庫)
1840s Hroshige Wetting Lips sh
An amorous couple from volume one of the Edo nishiki Azuma Bunko (江戸錦吾妻文庫)
Urashima Tarō [浦島太郎], the Dragon King's palace (龍宮城), and seven <i>ama</i> (海女 or あま) female divers and an octopus
1840s anon divers octopus.jpg
Urashima Tarō [浦島太郎], the Dragon King's palace (龍宮城), and seven ama (海女 or あま) female divers and an octopus
A laborer having sex with a woman from volume two of the <i>Edonishiki Azuma Bunko</i> (江戸錦吾妻文庫)
1840c Hiroshige Shung
A laborer having sex with a woman from volume two of the Edonishiki Azuma Bunko (江戸錦吾妻文庫)
Orio Masuke Yasuharu (織尾茂助安春) wrestling a wild boar from the series <i>Taiheiki eiyuden</i> ('Heroes of the Great Peace' - 太平記英勇傳) - no. 23
1840ca Kuniyoshi yasuharu oria
Orio Masuke Yasuharu (織尾茂助安春) wrestling a wild boar from the series Taiheiki eiyuden ('Heroes of the Great Peace' - 太平記英勇傳) - no. 23
<i> Frontispiece portrait bust</i> from volume two of the <i>Edo nishiki Azuma Bunko</i> (江戸錦吾妻文庫)
1840 Hiroshige Shunga Bust.jpg
Frontispiece portrait bust from volume two of the Edo nishiki Azuma Bunko (江戸錦吾妻文庫)
Opening page of volume one of the <i>Edo nishiki Azuma bunko</i> [江戸錦吾妻文庫] - Seductive <i>bijin</i> in winter biting her kimono
1840-50c Hiroshige winter biji
Opening page of volume one of the Edo nishiki Azuma bunko [江戸錦吾妻文庫] - Seductive bijin in winter biting her kimono
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actor prints (yakusha-e - 役者絵) (22)
Arashi Rikaku II (二代目嵐璃珏: 11/1831 to 7/14/1864) (1)
Aritaya Seiemon (有田屋清右衛門) (1)
Bandō Shūka I (初代坂東しうか: from 11/1839 to 11/1854) (4)
beautiful woman picture (bijin-ga - 美人画) (6)
blue prints (aizuri-e - 藍摺絵) (1)
Chikamatsu Monzaemon (近松門左衛門) (2)
and 93 more

medium

color woodblock print (3)
color woodblock print; ōban diptych (1)
color woodblock print; ōban triptych (2)
color woodlbock print; ōban yoko-e (1)
Japanese color woodblock print (13)
Japanese woodblock pirnt (1)
Japanese woodblock print (38)

century

19th century (17)

decade

1850s (17)

exhibition

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (1)
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